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Northwestern University’s
Virginia Wadsworth Wirtz Center for the Performing Arts and Imagine U
proudly present 

DOCTOR DE SOTO 

A stage adaptation of the beloved,
Newbery Award-winning picture book Doctor De Soto
By Idris Goodwin
Based on the book by William Steig
Directed by Jamal Howard

DOCTOR DE SOTO is produced by special arrangement with BRET ADAMS, LTD., www.bretadamsltd.net

 

LAND ACKNOWLEDGMENT

We are on sacred ground. Northwestern University is on the traditional homelands of the people of the Council of Three Fires—the Ojibwe, Potawatomi, and Odawa—as well as the Menominee, Miami, and Ho-Chunk nations. Before it was stolen from them through colonization and forced removal, this land was a site of trade, travel, gathering, and healing for more than a dozen other native tribes. The state of Illinois is still home to more than 100,000 tribal members. In the spirit of healing and making amends for the harm that was done, we acknowledge the native and indigenous peoples who called this land home. We pledge ourselves as members of the Northwestern School of Communication to turn our statements into action and build better relationships with native and indigenous communities in Evanston, in Chicago, and throughout the region.

DIRECTOR’S NOTE

The world is a very complicated place. This has been true throughout history and is absolutely true now. Whether you’re a child, adult, or somewhere in between, the world we live in can be confusing, conflicting and even dangerous. In Idris Goodwin’s adaptation of the classic William Steig book, Doctor De Soto, we find a similarly complicated world where a family of dentist mice have to decide how to best survive while upholding their values and having compassion. Do they want the family dentistry to be known for discrimination? The Young De Soto sees an animal in need and wants to help a Fox with some severe tooth pain, but their parents are wary of this historical predator and decline to offer their services. Distraught over this, Young De Soto must decide whether to obey their parents and allow the dentistry to discriminate or follow their convictions and help the struggling Fox.

Courage- the power to tell our own personal truths, our own stories, out loud and proud. Empathy- the ability to understand another person’s perspective, experiences, and feelings. Theatre for young audiences is a powerful tool in teaching courage and empathy. Doctor De Soto shows that through courage, empathy, creativity, and community, we can get through our problems and even change hearts and minds for the better. Utilizing large-scale puppetry, spoken word, and Steig’s foundational whimsical aesthetic, we invite you to see the world through the eyes of a young mouse living with courage and empathy in a complicated world.

Best,
Jamal Howard, Director

DRAMATURG’S NOTE

Sometimes, it’s hard to stand up for what you think is right. It’s even harder when you’re a mouse. It is EVEN HARDER when “what’s right” is jumping into a fox’s mouth to treat a rotten tooth. But sometimes, you do it anyway because you think it’s right.

That’s the dilemma our courageous protagonist, the young mouse apprentice Young De Soto, finds themselves in when a fox walks into De Soto Dentistry. Should they listen to their parents who are worried about the fox’s sharp teeth and conniving personality? Or should they challenge stereotypes and treat the fox anyway?

Tackling themes of courage, discrimination, and finding ways to stay safe in potentially dangerous situations, Doctor De Soto’s message remains relevant to this day. Adapted for the stage from “King of Cartoons” William Steig’s 1982 eponymous children’s book, you’ll see Steig’s fantastical world come to life. Featuring larger-than-life puppets, a wide range of animals, kooky schemes, and the occasional rhyme, dentistry has never been so much fun.

But Steig and playwright Idris Goodwin also invite audiences to reflect on how our society easily dismisses children. From the perspective of a child, the world can seem so unfair and unkind. Yet, the stage becomes a playground where Young De Soto faces the world head-on with a hope and whimsy adults often forget is important. Doctor De Soto shows us how even the smallest, youngest, and mouse-iest of us all can make the biggest of differences.

So sit back, open wide, and say, “ahh!” The De Sotos will see you soon.

Patrick Kang, Dramaturg

SPECIAL THANKS

MISSING 

CAST LIST

Dylan Mak — Young De Soto
Oliver Tam — Doctor De Soto
Hannah Gill —  Mrs. De Soto
Nastia Goddard — Fox/Puppeteer
Gavin Yi — Puppeteer, U/S Young De Soto
Madelyn Cantzler — Puppeteer, U/S Mrs. De Soto
Thomas Alberto Bastardo — Swing

PRODUCTION TEAM

Jamal Howard — Director
Laura Fajardo-Riascos, Vincent Perez — Asst. Directors
A Inn Doo — Scenic Designer/Puppet Designer
Naya Tadavarthy — Costume Designer
Regina “Reg” Harris — Lighting Designer
Justin Cavazos — Sound Designer/Music Composer
Lawrence Lewis — Asst. Sound Designer
Grace Needlman — Puppet Designer
Patrick Kang — Dramaturg
Tom Lee — Puppet Manager
Angella Ma, Kyle Vetter, Liam Jeninga — Puppet Pit Crew
Max Zeng — Dance Consultant
Lynn Kelso — Imagine U Artistic Director
Lily Ramras, Mady Cantzler, Ella Waffner, Andrew McCarthy, Roie Dahan — Educational Teaching Artists
Ella Poon — Stage Manager
Nihan Baysal — Asst. Stage Manager
Nathan Vescio — Sound Engineer
Mauricio Rodriguez Camargo — Run Crew Head
Bleu Lumis, Eleu Lukey, Olivia Baron, Reeve Green, Rosebud Summers, Catalina Zelles, Milo Larsen — Run Crew

ARTIST BIOS

Thomas Alberto Bastardo (Swing) is beyond excited to be making his Wirtz debut understudying in “DOCTOR DE SOTO”! Some of his favorite credits include: “RIDE THE CYCLONE”, “KING HENRY IV PART ONE” (First Stage’s Young Company), the world premiere of “ESPERANZA RISING”, and “LAST STOP ON MARKET STREET” (First Stage). He would like to thank First Stage and the Milwaukee theater scene as a whole for shaping him into the artist that he is today.

Nihan Baysal (Assistant Stage Manager, she/her) is a 2024 graduate of Lawrence University with a B.A. in Theatre Production and minors in Linguistics and Spanish. Chicago credits: Stage Manager: Tell Me On a Sunday, Sentinels (Theo Ubique), R.A.W series (UTC), Rudolph The Red-hosed Reindeer (Hell in a Handbag Productions), ASM: Dr. De Soto (Northwestern) SM Intern: Primary Trust (Goodman Theatre).

Justin Cavazos (Sound Designer/Music Composer, he/him) is a Latino composer, sound designer, and songwriter from Harlingen, Texas. As a co-founder of Spit It Out! Audio, he primarily focuses on sound design, music composition, and audio programming for theatre, podcasts, and video games. Recent credits include: “Book Up!” (Goodman Theatre), “A Tale of Peter Rabbit”, “The Wong Kids In The Secret of the Space Chupacabra, Go!”, “The Oregon Trail”, The Tempest” (Northwestern University Wirtz Center for the Performing Arts).

A Inn Doo (Scenic Designer, she/her) is a scenic designer from South Korea, currently in her final year as an MFA Stage Design candidate at Northwestern University. She brings years of scenic design experience guided by rigorous research, intuitive visual language, and a deep commitment to collaborative storytelling. Recent credits include February House and Man of La Mancha at Northwestern, with upcoming productions such as Mary Jane (Northlight Theatre) and The Caucasian Chalk Circle at Northwestern.

Laura Fajardo-Riascos (Assistant Director, she/her) is a Colombian-American artist completing her senior year at Northwestern. She has most recently worked on ImagineU’s “Splish Splash: A Day at the Lake” as a performer, a Northwestern Pritzker Pucker short film “I Look Weird” as a puppeteer, and Seesaw Theatre’s spring touring show “Meet the Myths” as the director. She is the 2025-2026 Artistic Director for Seesaw Theatre and is thrilled to continue contributing to Northwestern’s Theatre for Young Audiences programming!

Hannah Gill (Mrs. De Soto, she/her) Hannah is overjoyed to be a part of Doctor De Soto! Raised down the lake in Chicago, Hannah is a junior pursuing theatre, political science, and a music theatre certificate. Recent credits include Mallory in The Waa-Mu Show, Barbara Grant in Perfect Arrangement, and The Pilot in The Little Prince: A New Musical. May all your dental visits run smoothly! 

Nastia Goddard (Fox, she/her) is a senior studying Theatre and English with a Music Theatre Certificate. She is the proud co-director of Griffin’s Tale Children’s Repertory Theatre, a group that keeps her believing in magic. She thanks her eccentric family (including Sidney) for teaching her the power of imagination and Veronika for being there to “shred” life’s biggest mountains together. Thank you, Jamal and the entire De Soto team for your hard work and passion! Fangs and all!

Regina “Reg” Harris (Lighting Designer, she/they) is a 3rd year MFA Lighting Designer from Oakland, California and has been designing in the theater community for around 13 years. She’s an alumnus of California State University, Fresno’s Theatre Arts program where she worked for 6 years as the resident Lighting and Sound Technician. She has designed such shows as “Danceworks(2024): Emergence,” “Sunday on the Rocks,” and “Museum.” As a 3rd-year MFA Lighting Designer, Regina continues to push the boundaries of her craft.

Jamal Howard (Director, he/him) is a Chicago-based director and choreographer. He was the 2023/24 Goodman Theatre Maggio Directing Fellow, TCG’s 2024 Rising Leaders of Color Cohort, Co-Artistic Director of New American Folk Theatre, and an Associate Company Member with TUTA Theatre. He directed The Wong Kids… and co-directed Splish Splash last year at Northwestern University. Select Goodman credits include The Lizard y El Sol (co-director), English, Highway Patrol, A Christmas Carol (assistant director). Select Chicago directing and choreography credits include 8-Track: The Sounds of the 70s (Theo Ubique Cabaret Theatre); tick, tick… Boom! (Boho Theatre); The Great Khan (Redtwist Theatre); The Apple Tree (Porchlight Music Theatre); Think Fast, Jordan Chase (Filament Theatre). Additional credits include R.E.S.P.E.C.T. (National Tour); A Gentleman’s Guide to Love and Murder (Breckenridge Backstage Theater); The Wiz, The Mole Hill Stories (Children’s Theatre Madison). Jamal served as the Associate Artistic Director of Emerald City Theatre and is an alum of Loyola University Chicago.

Patrick Kang (Dramaturg, he/him) is a first-year graduate student in Northwestern’s Interdisciplinary PhD in Theatre and Drama Program. He is interested in theatre and performance as sites of memory, care, and healing. He has previously worked in the arts education and theatre communities in Seattle, Washington.

Lawrence Lewis (Assistant Sound Designer, he/him) is a graduate student in the Sound Arts and Industries program. Having moved recently from Colorado to Illinois, he is excited to be involved in his first show in this state and to incorporate sound design into his work. Recent credits include “Cabaret”, “Flyin’ West”, “Othello”, “The Little Prince” and “Dream Hou$e” (Theatreworks/technician). He has performed in “The Play that Goes Wrong”, “Antigone”, and in a medley performance with Opera of the Rockies.

Dylan Mak (Young De Soto, he/him) is a sophomore studying theatre at Northwestern University. Originally from New York City, his recent credits include Museum and the short film Manhood. Dylan is passionate about food, acting, and connection through performance. He is thrilled to be part of this production and grateful to the amazing cast and creative team for the opportunity to help bring this story to life.

Willa Marie O’Donnell (Assistant Costume Designer, she/her) Willa Marie O’Donnell is a junior at Northwestern University pursuing a B.S. in Theatre and Psychology. She has worked on several student theatre projects and is thrilled to join this production as Assistant Costume Designer.

Vincent Perez (Assistant Director, he/him) is a second-year Northwestern student from Evanston, Illinois studying Theatre and Cognitive Science. Previous Northwestern credits include the Wirtz Center’s “February House” and Sit and Spin Productions’ “Do You Feel Anger?” He thanks his family and friends for their support. Instagram: @vincentperez._

Ella Poon (Stage Manager, she/her) is a junior at Northwestern University studying Theatre and History from Los Angeles, California. She has previously stage-managed other productions on and off Northwestern’s campus. Her most recent work includes “A Midsummer Night’s Dream” as a stage management apprentice at Santa Cruz Shakespeare, and “Sunday on the Rocks” and “Next to Normal” at Northwestern.

Naya Tadavarthy (Costume Designer, she/her) is a third-year MFA student in costume design originally from Saint Paul, Minnesota. Previous credits include This Is Modern Art (University of Notre Dame), Sunday on the Rocks, (Northwestern University), and As It Is in Heaven (Northwestern University).

Oliver Tam (Doctor De Soto, he/him) is a senior studying Theatre and Creative Writing. Favorite credits include The Dolphin Show’s “Cinderella” (Prince Topher), “Durango” (Jimmy), “The 25th Annual Putnam County Spelling Bee” (William Barfee), and “Romance En Route,” the 92nd Waa Mu Show (Xander). He is co-president of Asterik A Cappella, Northwestern’s all-male a cappella group, and a member of Sit & Spin Productions. He’d like to thank the De Soto team, and his friends and family for their support.

Max Zeng (Dance Consultant, he/him) is a first year Computer Science major at Northwestern University. He has competed nationally as a hip hop dancer, earning achievements such as 1st place overall at “Showstopper West Coast Finals 2025”. He taught actors popping for “Doctor De Soto”.

 

THANK YOU TO OUR SUPPORTERS

We thank our donors who make it possible to develop and sustain the quality of productions at Northwestern University. The following individuals and institutions have made gifts to one or more of the following areas: the Virginia Wadsworth Wirtz Center for the Performing Arts, American Music Theatre Project and the Music Theatre Funds. All gifts were made between September 1, 2024 and August 31, 2025.

$20,000 and Above

  • Robert E. Shaw and Charlene Heuboski Shaw

$1,000-$19,999

  • Mary Jane Alt Wilson and Jeremy Robert Wilson, PhD
  • Keith R. Everett and Cynthia Everett
  • Sarah Siddons Society
  • Levy Senior Center Foundation
  • Graber Family Foundation
  • Prof. Steven S. Duke and Deborah L. Duke
  • Elaine Cohen Rubin and Arlen D. Rubin
  • Elizabeth Schlecht Murrill and Stephen R. Murrill
  • Sally S. Dobroski
  • Pres. Dr. Henry S. Bienen and Leigh Buchanan Bienen
  • Scott M. Curcio and Bryant Christopher Ross
  • Nicole J. Burley and James Burley
  • Mark S. Hoebee and Larry Elardo
  • John D. Ruffley
  • Jeff Blumenkrantz and Jeffrey Kwong
  • Dan S. Lipton and Rachael Adams Lipton
  • Wendy S. Baldikoski and Steve Baldikoski
  • John J. Sikora Jr. and Lacey C. Sikora
  • Curtis J. Moore and Bradley Rolston
  • Bradley I. Haak
  • Sandy M. Rustin Fleischer and Evan Fleischer
  • Gregg J. Edelman and Carolee Carmello
  • Anne D. Haan and Keith M. Haan, PhD
  • Anonymous Donor
  • Julie C. Plec
  • Brian D. James and Jennifer Prescott
  • Kirk W. Morledge and Faith A. Morledge
  • David H. Zarefsky, PhD
  • Nancy M. Voigts and Henry Dominic Godinez
  • Steven M. Stark
  • Thomas P. Mizer and Matthew Travis McGhie
  • Alex S. Ammar
  • Michael H. Schill
  • Daniel Alan Brintz and Kyle Brintz
  • Anonymous Donor
  • Jennifer Nicole Bender
  • Scott Michael Rich
  • Nicole M. Sterling and Samuel Clein
  • Kate Webster and Paul Read
  • Andrew Schumacher Hotz
  • Ian Fredric Goodman Weinberger
  • David Weber
  • Justin Jose Barbin
  • The Chicago Community Foundation

$250-$999

  • Edward W. Koryl 
  • John B. Nanninga
  • Barbara Goodman and Seth Weinberger
  • Michael Greif
  • Brendan Edward May
  • Sadhna Govindarajulu True and Michael V. True
  • Wayne B. Giampietro and Mary E. Giampietro
  • Dee Prola Beaubien
  • Michael Maggio and Deborah Maggio
  • Timothy W. Donovan, Esq. and Walter Krause
  • John Randolph Labbe and Claire Elizabeth Labbe
  • Michael C. Ness and Lisebeth Ann Kearns
  • Candy Kaelin Deemer and Kenneth McKeon Deemer
  • Frances Epsen Devlin and Patrick Devlin
  • Russell A. Koplin and Eric Friel
  • Whitney Kroenke Silverstein and Nyck Silverstein
  • Elizabeth Dayton Mulligan and Martin Mulligan
  • Megan Felsburg Doud and Nathaniel Thompson Doud
  • Oron Stenesh
  • Judith L. Monroe and Thomas A. Monroe
  • Alexandra Demetree Cohlmia and Adam Cohlmia
  • Kaitlin Anne Fine and Max Berman
  • Todd P. Semla and Susan Semla
  • Terrie Inder, MD
  • Charlene Whitfill and James Whitfill
  • Matt Deitchman
  • Barbara Sarasin
  • Ellen Stukenberg

Donate online at giving.northwestern.edu.

Thank you for supporting Northwestern University Theatre and Dance!</stron

SCHOOL OF COMMUNICATION DEANS

E. Patrick Johnson, Dean of the School of Communication and Annenberg University Professor
Lori Barcliff Baptista, Associate Dean for Undergraduate Programs and Advising
Roderick Hawkins, Associate Dean of External Affairs and Chief of Staff
Molly Losh, Associate Dean for Research
Bonnie Martin-Harris, Associate Dean for Faculty Affairs
Jeff Brown, Associate Dean for Finance and Administration
Rayvon Fouche’, Associate Dean for Graduate Education
Tanya Palmer, Assistant Dean & Executive Artistic Director

SCHOOL OF COMMUNICATION CHAIRS

Thomas Bradshaw, Radio/Television/Film
Leslie DeChurch, Communication Studies
Joshua Chambers-Letson, Performance Studies
Henry Godinez, Theatre
Bharath Chandrasekaran, Roxelyn and Richard Pepper Department of Communication Sciences and Disorders
Melissa Blanco Borelli, Head of Dance
Tommy Rappley, Associate Chair of Theatre
James Schwoch, Associate Chair of Communication Studies
Erin Courtney, Associate Chair of Radio/Television/ Film

WIRTZ CENTER STAFF

Jorge Silva — Director of Business Operations & Managing Director
Michael Constantino — Associate Managing Director
Pete Brace — Marketing & Development Manager
Heather Basarab — Production Manager
Valerie Tu — Production Manager, Chicago
Gianna Carter — Production Coordinator
Aziza Macklin — Audience Experience Manager
Jamie L. Mayhew — Box Office Manager
Lynn Kelso — Imagine U Artistic Mentor
Ryan T. Nelson — Music Supervisor
Dylan Reyno — Technical Coordinator
Shannon Perry — Technical Supervisor
Emily Baker — Assistant Technical Supervisor
Dylan Jost — Scenic Carpenter
Micah Hofferth — Scenic Carpenter
James Weber — Scenic Artist
Eileen Rozycki — Assistant Scenic Artist
Chris Wych — Properties Supervisor
Kathy Beach Parsons — Properties Assistant
Eileen Clancy — Costume Shop Supervisor
Jessica Donaldson — Assistant Costume Shop Supervisor
Kristy White — Cutter/Draper
Pamela Brailey — Cutter/Draper
Renee Werth — Stitcher/Crafts Supervisor
Eli Hunstad — First Hand
Peter Anderson — Lighting & Sound Supervisor
Michael Trudeau — Associate Lighting & Sound Supervisor
Nate Walczyk — Lighting and Sound Technician
Sara Kurensky — Marketing Assistant
Stephen J. Lewis — OGMC Arts and Media Producer
Stephanie Kulke — OGMC Fine Arts Editor

AMERICAN MUSIC THEATRE PROJECT

Masi Asare — AMTP Artistic Director

WORK STUDY STUDENTS AND VOLUNTEERS

Alaina Parr, Alex Myres, Alex Yang, Allyson Vasquez, Amanda Swickle, Amy Xu, Anah Shaikh, Arawen Alberg, Arran Kennedy Orive, Avery England, Aydn Calhoun, Ayla Richardson, Benny Wu, Cannon Elliott, Ciara Farris, Clio Siegel, Crom Amaya, Daniel Cho, Elijah Curtin-Adelman, Elle Pierre, Ellsworth Sullivan, Gavin Yi, Gemma Cohen, Ghino Lee, Haley Randall, Henry Rohrback, Isabella Mason, Jessica Guo, Jordin Amoah, Josaphina Brinkerhoff, Josefina Espino, Katherine Li, Kira Carpenter, Kris Lambert, Lucian Cruz, Mariah Waters, Maya Avery, Michael Peterson, Millie Rose Taub, Miracle Idowu, Morgan Marin, Natalie Mendoza, Noor Maghaydah, Nora Fox, Olivia Czyz, Olivia Kieffer, Olivia Wise, Owen Meehan-Egan, Pranav Singh, Poseybelle Stoeffer, Roie Dahan, Rose Peters, Ryan Cooke, Charles Lewis, Sebastian Vidra, Seidy Pichardo, Sophia Mitton-Fry, Sydney Chan, Sydney Frazure, Tamyrha Dunac, Tvesha Gupta, Valentina Brander, Vicky Laguerre, Walter Todd, Will Claudius, Yehuda Zilberstein, Yooha Park, Yumi Tallud