THE COMPANY
JULIAN KYTASTY (bandurist, composer) is a third-generation bandura player. He is both a keeper of traditions and an innovator who has opened new paths for his instrument. He has worked frequently with Yara Arts Group creating and performing music for theatre pieces, poetry performances, and festivals. His work on Yara’s 1917-2017 Tychyna, Zhadan, and the Dogs earned him a NY Innovative Theater award for best original score. He continues to teach bandura to a new generation of students in North America and Ukraine, to record, to compose and arrange music for bandura, and to engage in collaborative projects.
TOM LEE (puppeteer, production design) is a puppet artist, designer and director who began his career at La MaMa. As a puppeteer: Madama Butterfly & Florencia en el Amazonas (Metropolitan Opera), War Horse (Broadway), Le Grand Macabre (NY Philharmonic), Queen of Spades (Lyric Opera). With Japanese Master Puppeteer Koryū Nishikawa V: Shank’s Mare (2015) and Akutagawa (2024). Co-director Chicago Puppet Studio and Chicago Puppet Lab. 2025 3Arts Chicago Awardee. Tom Lee is the 2025/2026 Northwestern University Astere E. Claeyssens Artist-in-Residence. www.tomleeprojects.com
VIRLANA TKACZ (director, co-translator) heads the Yara Arts Group and has directed 40 original shows at La MaMa Theatre in New York, as well as in Kyiv, Lviv, Kharkiv, Bishkek, Ulaanbaatar, and Ulan Ude. Favorite productions include Blind Sight, Dark Night Bright Stars and 1917-2017 Tychyna, Zhadan, and the Dogs. She received a NEA Poetry Translation Fellowship for her translations with Wanda Phipps of Serhiy Zhadan’s poetry. Yale University Press published their second selection as How Fire Descends (2023).
ANDREEA MINCIC (production design) loves making things using her hands when designing. Previous collaborations with Tom Lee Mariupol: Diary of War and the Tree of Life, Monkey – A Kung Fu Puppet Parable, The Poacher, The Return, Scarlet Ibis. Recent work in NY: Nothing Doing (UTR), Atlas Drugged (Skirball), Material (Whitney Museum), Our Class (BAM, CSC), Sad Boys, (Playwrights Horizons). https://www.andreeamincic.space/.
KEVIN WHITE (puppet designer and carver) is a Brooklyn-based Puppeteer and Puppet Maker. He works for the Swedish Cottage Marionette Theatre in Central Park. His work has been commissioned by Harvard University (Le Corbusier), St. Ann’s Warehouse, The Puppet Kitchen, Nickelodeon, Google, The Historic House Trust of New York City, and The Metropolitan Opera, to name just a few. Kevin has received grants from The Jim Henson Foundation and Brooklyn Arts Council for his show The Wayfaring Stranger. He is happy to be working with Tom Lee on this project.
LINDA WINGERTER (shadow puppet design & video) is a third-generation puppeteer and master of multiplane shadow puppetry and mechanisms. Based in Ithaca, NY, Linda leads Stringpullers Puppet Company and has collaborated with Tom Lee on Akutagawa, Resonant Path and the upcoming Left Hand of Darkness. IG @pollysonic
KAT C. ZHOU (lighting designer) designs for theater, dance and opera. Her work has been seen at Irish Repertory Theater, WP Theater, Out of the Box Theatrics, the Guthrie Theater, Huntington Theatre Company, Cape Playhouse, American Modern Opera Company. MFA: Boston University (lighting), AB: Harvard College (mathematics). katzhoudesign.com, IG: @katczhoudesign
WANDA PHIPPS (co-translator) is a founding member of Yara and has been translating Ukrainian poetry with Virlana Tkacz since 1989. Together they have received the National Theatre Translation Award for their translation of The Forest Song, as well as numerous grants from New York State Council on the Arts. Her books include Mind Honey (Autonomedia), Field of Wanting: Poems of Desire (Blaze VOX), and Wake-Up Calls: 66 Morning Poems (Soft Skull Press).
MICHELE STINE (asst. puppeteer) is an actor, clown, and puppeteer. They spend their time digging through trash and alleys for materials, much to her mother’s dismay. Michele has performed with Lyric Opera of Chicago, Rough House Theatre, Filament Theatre, Chicago Puppet Studio, Lifeline Theatre, Emerald City Theatre, Theatre SUMM, and some other companies too. They were a part of the 2024/2025 Puppet Lab Cohort through the International Puppet Theatre Festival. Michele has spent over fifteen years working as a theatre educator in Chicago, Illinois; working with young people to develop strong storytelling skills and creating dreams out of cardboard and glue.
ZLATA GODUNOVA (asst. puppeteer) was classically trained at the National Academic Theatre of Drama and Musical Comedy in Ukraine. She recently acted in Threepenny Opera at Hunter College, and A Chorus Line on Theatre Row. She works as a puppeteer at the Swedish Cottage Marionette Theater in Central Park. Her next project is The Search for Signs of Intelligent Life in the Universe, March 26-29 at Hunter College. zlatagodunova.com
TIA PINSON (singer) is a Flint, MI Native who wishes to experience and spread light, love and compassion through exploration, art and storytelling. As a teaching artist with a degree in Music Theatre Performance, she continues to search for ways to encourage youth to find their creative voice as they discover their confidence through expression. She has been seen on various stages in Chicago including Rough House Theater’s House of the Exquisite Corpse V: Blood and Puppets.
ERIN GRAY (stage manager)is a theater worker, director, interdisciplinary artist, and gardener based in Brooklyn, New York. Erin is the creator of The Living Room, a zine and art collective which produces live and print collaborations.
OLENKA TSYHANKOVA (asst. director) is a writer and artist from Lviv. She was a stage manager for Yara’s Slap! this winter. Olenka graduated from Bard College in 2024.
NADIA SOKOLENKO (research) is a theatre researcher, manager and curator in Ukraine, who has worked with Yara since 2002.
WALDEMART KLYUZKO (graphics) is a visual artist in Kyiv who Yara has worked with Yara since 2010.
YARA ARTS GROUP was established in 1990 and is a resident company at La MaMa, the acclaimed experimental theatre in New York. Yara has created over 40 pieces based on extensive research in Eastern Europe, Siberia and Asia, in Yara’s signature style of multilingual dialogue and songs supported by evocative visuals. Yara Arts Group is a resident theatre company of La MaMa Experimental Theatre in New York. Yara Arts Group 306 East 11th St #3B, New York, NY 10003 USA (212) 475-6474 www.yaraartsgroup.net: @yaraartsgroupinc Instagram: @yara.arts
SPECIAL THANKS
Special Thanks to O.O Savchuk and Katia Shraga.
Assistant to designers Jacky Kelsey
Calling bird puppet fabricated by Averly Sheltraw
Curtain fabrication by Caitlin McCleod
Additional pencil drawings by Zachary Sun
Carpentry and video support by Douglas Ward and Kammy Lee
Special thanks to the artists of the Chicago Puppet Studio and to the Chicago International Puppet Theater Festival, Blair Thomas, Artistic Director.
Special thanks to artists Caitlin Nugent and Nadia Othman for developing earlier versions of this project.
Yara Arts Group is a resident company of La MaMa Experimental Theatre, where The Magic of Light was first performed. We express special thanks to Mia Yoo, Beverly Petty, Kiku Sakai, Denise Gerber, Mark Tambella, Erick Alonzo and John Issendorf for their support.